At the far east end of the Ochoco Mountains, a stretch of mudbanks flanked Deep Creek, winding in lazy loops across the little valley framed by copper pillars of ponderosa pine. Overhead, nighthawks tumbled in the darkening sky.
I waded along the creek in my sandals, flyrod in hand, casting for trout. On the far side of the mudbank, I could see the concentric ripples of fish rising in large pool. I thought, oh, what’s a little mud? But after ten steps I was up to my knees and sinking fast.
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For yours truly, this past year has been a wild ride, a mixed bag, a roller coaster, and probably a few other metaphors. The highs were lofty and joyous, the lows abyssal. At some point I will likely share some of that, as it relates to artwork (doesn’t everything, on some level?), but most of it I’m still digesting. So for now, I’ll offer a few tidbits about art in Japan.